How to make natural ink from Sumac

A natural ink Sumac recipe for the in-between time of spring.

It is that time of year where the snow is melting and hints of green life are starting to appear, but plants that provide us with ink are in low supply. This is when the long-suffering Sumac can provide us with a pop of colour.

Sumac grows in abundance; the berries and leaves are high in tannins and they can be used for ink all year round. Tannins are a group of chemicals that are pale-yellow to light-brown that are found in plant cells, especially in leaves, bark and fruit. Tannins discourage fruit-eating animals from eating the fruit until the seeds are mature and ready for dispersal. As the fruit ripens, the tannin content lessens. The tannins in sumac berries and leaves help create durable, long lasting colours.
Sumac berries also store well. The berries can be harvested in the summer when they are ripe and then stored indefinitely in paper bags. Always remember to leave the area where you forage as untouched as possible and to leave ample berries behind, as Sumac serves primarily as a winter emergency food for wildlife.

A few notes about this recipe. Water or vinegar can be used as a base of this ink but I have used vinegar to help intensify the colour. Please refer to my previous blog post if you have questions about alum, gum arabic or how to preserve your ink https://melissamaryjenkins.com/2020/06/05/answering-your-questions-about-natural-inks/ .

Ingredients:

3 cups cleaning vinegar (vinegar intensifies the colour)

3 cups fresh sumac berries and leaves (use your hands to remove the berries from the stems)

2 tsp alum

1 tsp gum Arabic powder

1 clove

Materials: *keep these materials ONLY for making inks *

stainless steel or glass (these are nonreactive materials) pot, lid, bowl, jar, stirring spoon and fork

fine mesh strainer

cheese cloth (enough to line the strainer)

rubber gloves

glass jar with tight fitting lid

small funnel

Directions:

-simmer the berries in vinegar and alum, stirring as needed until you reach the desired colour (about ½ an hour) be sure to keep the

*ensure that you are in a well-ventilated area and keep a lid on the pot to avoid breathing in the fumes.

-turn off the heat and leave overnight (not necessary but may help form a darker color)

-line the strainer with cheesecloth and place over the bowl

-pour the berries and ink into the fine mesh strainer and allow the ink to drain

-using your rubber gloves, gather the cheese cloth around the berries and squeeze out any excess ink

-dispose of the strained sumac and wash out the cheesecloth

-place the filter in the lid of a glass jar and line the filter with the cheesecloth

-pour the ink into the filter (repeat if necessary to remove any little bits of plant matter)

-whisk in gum Arabic a little at a time with a fork until dissolved

*if it is not dissolving, heat the ink again but don’t bring to a boil*

-when cool, add in a clove

-make sure that there is no air space inside the bottle (to help prevent mold growth)

-secure the lid and refrigerate to help preserve

-shake before use

* the pink sumac ink dries to a brownish pink colour on watercolour paper and remains peachy/pink on natural fabrics/paper

NOTES

Alum acts a mordant

Gum Arabic thickens, helps with controlling ink flow, binds the ink to the paper and helps preserve

adding a Clove helps to prevents mold

How to Make Green Ink with Grass and Water

How to make green ink with two simple ingredients: grass and water.

I set out to write this blog post before the snow settles on the ground here in Canada. We did experience our first snowflakes of the year last night, so I finally felt “the push” to post this recipe. I first heard about transforming grass into ink when I watched an online Zoom lecture by Marjorie Morgan. Marjorie is a natural ink maker, artist, printmaker and environmentalist. I highly recommend watching this workshop if you are interested in learning more about Natural Inks. Making Ink with Natural Materials Zoom Lecture/Demonstration for Greenfield Community College on 9/23/20!

Making Ink with Natural Materials by Marjorie Morgan

Now let’s talk a bit about what makes grass green. To break it down simply, grass leaves collect energy from sunlight through photosynthesis. The photosynthesizing chlorophyll in the leaf gives grass its green color. The grass ink recipe that I will share with you today creates a vibrant green ink that is such a beautiful and simple way to begin your natural ink journey.

Ingredients and Materials:

fresh grass

water

a blender (I use a Magic Bullet that I keep for ink-making only)

a funnel and coffee filter or a panty hose sock or a piece of cheesecloth/fabric and an elastic

a glass jar with a lid

a spoon or fork

paper (try different types i.e. watercolour paper and/or natural paper)

brush and/or eye dropper

a rag

pencil/pen and label

clove (optional)

Instructions:

-Grab 2 handfuls of fresh grass.

-Put the grass in your blender and add a little bit of water.

-Turn your blender on and blend until you get a rich green liquid. If the grass is struggling to blend, you may need to stir it up and blend more or add a little bit more water (it will smell like a freshly mowed lawn).

-Cover a glass jar with a filter of your choice: a funnel and coffee filter, a panty hose sock or a piece of cheesecloth/fabric secured with an elastic.

-Pour the ink into the glass jar through the filter.

-Using a paint brush, your fingers or an eye dropper, experiment with your new green ink on paper. You may wish to spray water onto your paper and then add drops of the ink and watch the ink travel into and across the water.

-When you are finished painting with the ink, label the glass jar, put the lid on and refrigerate.

The ink makes a rich dark green (that darkens as it dries) and lasts surprisingly long. Keep out of direct sunlight to prolong the colour on paper. You may wish to add a clove to your jar to help preserve the ink.

How to Paint with Natural Inks : Part 2

Painting onto canvas with natural inks.

In the few years that I have been on this journey of handcrafting and painting with natural inks, I have developed my own pathways and discovered a few new trails along the way. Recently I was inspired, from a practical perspective, to collect recycled bottle caps and lids to use as ink vessels in my natural inks workshops. But filling avocado shells and milkweed pods with natural inks helps me to establish a much more organic atmosphere as I create in my studio.

In my last post, I focused on painting natural inks onto watercolour paper. But I have had quite a few enquires asking if natural inks can be painted onto canvas. I was directed by a fellow artist (Pamela Bates) to experiment with painting watercolour ground onto canvas. Watercolour ground is a primer that can be applied to a multitude of surfaces. The finish and appearance is very much like cold press watercolour paper.

Although painting onto a canvas with watercolour ground certainly doesn’t have the same magical absorption of watercolour paper, I found that there was an upside. Unlike watercolor paper, I was able to wipe off the ink with a damp rag if I wasn’t happy with the placement. Please note though, that even with a ground, canvas doesn’t typically like water and can create buckling (thank you Lisa Mclinden Art for the tip).

A watercolour painting by Lisa McLinden

Since natural inks are water-based, you may need to experiment with how much water that you add to the canvas.

Fellow artist Carrie Ann Hall has created gorgeous paintings with my natural inks on both gessoed board and unprimed canvas and she doesn’t add water.

natural inks on canvas by Carrie Ann Hall
natural inks on canvas board by Carrie Ann Hall
natural inks on canvas board by Carrie Ann Hall

What about you? Have you had success painting natural inks onto canvas?